Fifteen-plus years turning broadcast audio, post-production and AV operations into things people actually watch — now building an AI-assisted cinematic universe from scratch.
A multi-album, multi-music-video universe built end-to-end with AI tools — music, characters, lore, and film, produced solo and shipped like a real label.
In the world of Crewminati, "The Industry" runs entertainment as a machine that chews people up. Crewminati is the underground crew that fights back — told through character-driven tracks, music videos, and a growing lore document, The Show Must Go On. But Not For Them.
Every track, character, and frame is produced through a deliberate AI pipeline — not a single prompt-and-done shortcut.
Film archive work, school productions, and a decade of things shot, mixed, and cut for people who needed them to land.
I started in broadcast audio and post-production, moved through IT infrastructure and AV archiving, and spent years running the performing arts centre floor at an international school in Jeju — mixing, recording, and shooting everything from full-scale theatre to orchestra performances.
These days that same production discipline goes into Crewminati: treating an AI-assisted project with the same rigor as a broadcast studio — planning, continuity, character bibles, shot lists, and a real release calendar.
I run on a tri-AI workflow — different tools for different jobs, not one model doing everything badly.
Thinking, writing, lore, and structure.
Tool execution and image generation.
Google ecosystem and multimodal tasks.